It’s been a lot to catch up on since I spent last week and a good part of this week with the flu, but the only thing I was really upset I missed out on the day it was released was a new Mickey Mouse short film called Croissant de Triomphe that also features Minnie as...
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Tags: Akira, Alex Gibney, Alfred Hitchcock's Rebecca, Andy Lau, Bambi, Boy Meets World, Criterion Collection, Daisy Duck, David Brent, Dreamworks Animation, Facebook, Federico Fellini, Humphrey Bogart, james franco, Johnnie To's Blind Detective, Katsuhiro Otomo, Lea Seydoux, Life Magazine, mickey mouse, Minnie Mouse, Nicholas Winding-Refn, Nikolaj Arcel, Olympus Has Fallen, Pam Grier, Pinocchio, Pixar, Pixar's Monsters University, Prada, Ricky Gervais, Roman Coppola, Rugrats, Ruth Steinhagen, ryan gosling, Saoirse Ronan, Sex and the City, Shane Carruth, Short Peace, Star Wars: The Clone Wars, The Natural, The Office, the social network, Turbo, Upstream Color, Walt Disney Animation Studios, We Steal Secrets, Wes Anderson, Wikileaks, Winklevoss, Woody Allen
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Since it began to air ten weeks ago, I’ve been trying hard to avoid all of the Twitter chatter about The Newsroom. The West Wing aside, Sorkin is a notoriously slow starter, and one of the (many) problems with Studio 60 was that both the viewers and the network had largely written it off...
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Tags: A Few Good Men, Aaron Sorkin, Alison Pill, Big Foot, Bradley Whitford, Charlie Wilson's War, Emily Mortimer, HBO, Jane Fonda, Janel Moloney, Jeff Daniels, John Gallagher Jr, Keith Olbermann, Kelen Coleman, Mandy Stadtmiller, Moneyball, Olivia Munn, Terry Crews, The Newsroom, the social network, The West Wing, Thomas Sadoski
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So this weekend, we got a bit of a break in the summer action avalanche as the two big releases were the lukewarmly reviewed comedies, The Zookeeper and Horrible Bosses. I didn’t see either (maybe Horrible Bosses on video, but no desire whatsoever to see The Zookeeper), but did get around to seeing Larry Crowne, the affable...
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Tags: 127 hours, Adam Sandler, adaptation, Anne Massey, Bad Teacher, Beastie Boys, Black Moon, Cocksucker Blues, comic-con, Daniel Radcliffe, Derek Jeter, Final Destination, Green Lantern, harry potter, HBO, Jack and Jill, JB Smoove, jeremy renner, Larry Crowne, Leighton Meester, Let it Be, Louis Malle, Margaret Thatcher, matthew lewis, Megan Ellison, Meryl Streep, Michael Bay, Michael Herr, Monte Carlo, Notorious, Rupert Grint, Sam Raimi, Sarah Palin, Sascha Baron Cohen, Selena Gomez, Shia LeBeouf, Spike Jonze, Stanley Kubrick, Terrence Malick, The Empire Strikes Back, The Great and Powerful Oz, The Iron Lady, The Myth of the American Sleepover, the social network, The Wizard of Oz, Thomas Bezucha, Transformers 3, Vanity Fair
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First, a prediction: This guy’s wrong. Second, a request for the Oscar Gods: Next year, can we get a little romance in this bitch? Honestly, of the 10 (diez) films up for the Biggest of the Big this year, only The Kids Are All Right comes close to qualification as a genuine, heart-on-your-sleeve, Jack-and-Rose/Jack-and-Ennis...
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Tags: Best Picture, Oscar picks, Oscars, the king's speech, the social network
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Here we are, covering the penultimate category on the penultimate day before the Big Show. Best Actor is filled with fine candidates, but it seems that last year’s ceremony will have a hand in guiding this year’s voters to even the keel. Jeff Bridges did damn fine work in Crazy Heart, but it was...
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Tags: 127 hours, Biutiful, colin firth, For Reels, james franco, javier bardem, jeff bridges, jesse eisenberg, Orlando Weekly, Oscars, the king's speech, the social network, True Grit, william goss
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It’s rare for Best Picture and Best Director to split, but this year makes quite the case for that happening. If David Fincher won, it’d be for The Social Network, a film crafted with remarkable precision from every angle, including those terrifically...
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Tags: black swan, darren aronofsky, David Fincher, david o. russell, ethan coen, For Reels, joel coen, Orlando Weekly, Oscars, the fighter, the king's speech, the social network, Tom Hooper, True Grit, william goss
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Let’s get one of the big boys out of the way, shall we? Over the last decade or so, the Best Writing categories have both become something of the de facto “Best Indie Movie” category. It’s traditionally populated with titles like Sideways or Lost in Translation that just didn’t have the mainstream pop to...
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Tags: 127 hours, Aaron Sorkin, Coen Bros, danny boyle, Jannifer Lawrence, Michael Arndt, Oscar, Screenplays, Simon Boufoy, the social network, toy story 3, True Grit, winter's bone
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Somewhat shocking news out of the WGA Awards tonight. According to Deadline.com, the big feature winners were Chris Nolan’s Inception for Best Original Screenplay, while Aaron Sorkin took home the Best Adapted Screenplay for The Social Network. Sorkin’s win was an expected one, leading up to an expected Oscar win next month, but Inception...
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Tags: Aaron Sorkin, Chris Nolan, inception, Oscars, the king's speech, the social network, WGA
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This year, yours truly joined the Florida Film Critics Circle, and this week, my vote (among those from 18 colleagues from across the state) went towards declaring David Fincher’s The Social Network the very finest film of 2010. Fincher took Best Director, while Aaron Sorkin’s snappy script won Best Adapted Screenplay. With regards to...
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Tags: black swan, christian bale, colin firth, David Fincher, enzian theater, florida film critics circle, florida film festival, For Reels, i am love, inception, jennifer lawrence, matthew curtis, melissa leo, natalie portman, Orlando Weekly, the fighter, the king's speech, the social network, the tillman story, toy story 3, william goss, winter's bone
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