This is how it happens. You see the promotional materials for Carolann Valentino’s Burnt at the Steak. You read that it is a comedic portrayal of her experiences working in a New York steakhouse. You think to yourself that this could be fun – Hell’s Kitchen as a one-woman show, perhaps. Mere minutes into the...
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Tags: Fringe, fringe 2013, Steve Schneider, theater, theater review, theatre review
Posted in Culture 2 Go | 9 Comments »
RibbitRePublic Theatre’s Boygroove (2005) was one of the best shows I’ve ever seen at the Orlando Fringe: a sendup of a seemingly one-dimensional subject (boy bands) that revealed layers upon layers of motivation and semiotics. The Canadian company’s Be a Man (which actually predates Boygroove) is almost identical when it comes to structure, with a four-man ensemble...
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Tags: Fringe, fringe 2013, Steve Schneider, theater, theater review, theatre review
Posted in Culture 2 Go | 5 Comments »
When a show is titled Hitler’s Li’l Abomination, you feel kind of weird telling people “I loved it! It reminded me of all my relatives!” But if you grew up among Germans – especially ones who were only a few years removed from The Old Country – you’ll be beside yourself with nostalgic laughter as monologist...
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Tags: Fringe, fringe 2013, Steve Schneider, theater, theater review, theatre review
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Tommy Nugent wants to tell you a story. He wants you to know how he evolved from a jaded, politically disengaged Fringe-circuit monologist into a zealous champion of the 99 percent – all because the Occupy movement came to his hometown of Detroit. He wants to tell you what he saw there, who he...
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Tags: Fringe, fringe 2013, Steve Schneider, theater, theater review, theatre review
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The critical lexicon shouldn’t include phrases like “Hey, I couldn’t do it.” It’s hard to keep that thought at bay, though, when you’re watching someone like Robb Zeiser perform his feats of dexterity and concentration. He juggles metal tumblers. He holds cardboard blocks aloft in precarious, Escher-like formations. He balances more things on his...
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Tags: Fringe, fringe 2013, Steve Schneider, theater, theater review, theatre review
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“Cute without being cutesy” is a tough needle to thread, but The Boxer manages it pretty ably. In writer Matt Lyle’s Depression-era romcom (previously staged in Dallas, Chicago and New York), a young woman (Gemma Fearn) poses as a man in order to stay afloat in a brutal economy. The best gig she finds is...
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Tags: Fringe, fringe 2013, Steve Schneider, theater, theater review, theatre review
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A few years ago, I went to one of those MoveOn house parties where the featured entertainment was a screening of Robert Greenwald’s documentary Outfoxed. A bunch of us Orlando-area libs sat and watched in horrified fascination as Greenwald laid out the way in which the Fox News Channel had established itself as a disinformation...
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Tags: Charles Koch, David Koch, Koch Brothers, L.A. Times, L.A. Times walkout, Los Angeles Times, Orlando Sentinel, Orlando Weeky, Sam Zell, Steve Schneider, Tribune Company, Vision Thing
Posted in Vision Thing | 2 Comments »
At the risk of sounding like a lefty cliché, I love me a good boycott. I love it when progressive groups boycott a supermarket chain over the exploitation of its produce growers. I love it when women’s groups boycott businesses that advertise on misogynist hate radio. And I even love it when fundamentalist Christians...
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Tags: affordable care act, Darden Restaurants, obamacare, Orlando Weekly, Papa John's, Regal Cinemas, Regal Entertainment Group, Star Trek Into Darkness, Steve Schneider, summer movies, summer movies 2013, Vision Thing
Posted in Vision Thing | 5 Comments »
The George W. Bush Library opens tomorrow. And there’s actually more to the story than the chance for another joke about oxymorons. Last Saturday’s New York Times included a sneak preview of the library (full name: The George W. Bush Presidential Library and Museum) that offered some interesting tidbits about the place. For one thing,...
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Tags: Bush, Bush library, Decision Points, George W. Bush, George W. Bush Presidential Library and Museum, Harlan Ellison, Orlando Weekly, Steve Schneider, Vision Thing
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Frost/Nixon co-director John DiDonna has just announced that a special talkback session will follow the Monday, April 22, performance of the show at the Lowndes Shakespeare Center. The guest will be Orlando Weekly’s very own me, discussing the perils and pitfalls of historical fiction. If you read my review of the play, you know I...
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Tags: Culture 2 Go, Empty Spaces, Frost/Nixon, JohnDiDonna, Orlando Shakespeare Theater, Orlando Weekly, Richard Nixon, Steve Schneider
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