You hear it every year: Some actress gets onstage and thanks some awkwardly attired writer “for the words” as if they were just conjured out of the air and typewritten onset just before the real auteur yelled “action.” In truth, this is the category where the hard work happens, where some bodyguard or stripper...
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Tags: ampersand, another year, inception, Kids Are All Right, Orlginal Screenplay, Oscar picks, Oscars, scripts, the fighter, the king's speech
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This slot was originally slated for Best Foreign Film, and then we realized that between the three of us, we’d only cumulatively seen two of the five films (Dogtooth and Biutiful), so VFX it is! It’s an odd feeling to be judging a film visually without judging its story, but that’s what this category...
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Tags: Alice in Wonderland, CGI, Christopher Nolan, Clint Eastwood, harry potter, Hereafter, inception, Iron Man 2, Oscars, physics, Tim Burton, Tom Hooper
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The manliest of all Oscar categories, the one for the dudes out there forced to sit through red carpet ooing and aahing, the moment when the Kodak Theatre, for a precious moment, becomes a gladiator arena of bloodthirsty barkers and maidens burying their faces from the primal nightmare on display. Kidding, it’s Best Costume...
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Tags: Alice in Wonderland, Costume Design, Eden Bar, enzian theater, Get In Media, i am love, inception, King's Speech, Oscars, the kids are all right, The Tempest, Tim Burton, True Grit
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The next category in our bloody battle to the filmic death is Best Cinematography It’s the most exciting of all of the technical categories because...
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Tags: black swan, inception, Oscar, the king's speech, True Grit
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Somewhat shocking news out of the WGA Awards tonight. According to Deadline.com, the big feature winners were Chris Nolan’s Inception for Best Original Screenplay, while Aaron Sorkin took home the Best Adapted Screenplay for The Social Network. Sorkin’s win was an expected one, leading up to an expected Oscar win next month, but Inception...
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Tags: Aaron Sorkin, Chris Nolan, inception, Oscars, the king's speech, the social network, WGA
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This year, yours truly joined the Florida Film Critics Circle, and this week, my vote (among those from 18 colleagues from across the state) went towards declaring David Fincher’s The Social Network the very finest film of 2010. Fincher took Best Director, while Aaron Sorkin’s snappy script won Best Adapted Screenplay. With regards to...
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Tags: black swan, christian bale, colin firth, David Fincher, enzian theater, florida film critics circle, florida film festival, For Reels, i am love, inception, jennifer lawrence, matthew curtis, melissa leo, natalie portman, Orlando Weekly, the fighter, the king's speech, the social network, the tillman story, toy story 3, william goss, winter's bone
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So here we are, having made it through two-thirds of the year, only a day away from the official start of the Toronto International Film Festival and the unofficial starting gun for the 2010 awards season. Before the Finchers and the Weinsteins can go and shake up the ranks too much, here’s a look...
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Tags: best worst movie, Christopher Nolan, con artist, edgar wright, For Reels, hot tub time machine, inception, Justin Strout, kick-ass, mark kostabi, martin scorsese, michael cera, Orlando Weekly, restrepo, scott pilgrim, scott pilgrim vs. the world, shutter island, the a-team, the crazies, the last exorcism, the square, toy story 3, waking sleeping beauty, william goss
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