This week: Cannes, More PR Nonsense from Netflix, Jax and Clay Together Again Bro, and Paris Hilton Cries Delicious Tears.
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This week: Cannes, More PR Nonsense from Netflix, Jax and Clay Together Again Bro, and Paris Hilton Cries Delicious Tears.
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This week on Short Film Friday, Eliza Hittman's "Forever's Gonna Start Tonight", Benjamin Garst's "Intersection" and Leos Carax's "Naked Eyes".
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Happy Mother's Day! The Roundup Turns Two Years Old! DISNEY WTF?!
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The Big Brains at Disney and Pixar Animation HQ tried recently to trademark the term “Dia de los Muertos” – Day of the Dead – so they could co-opt it for marketing an upcoming Pixar film about the Day of the Dead celebrations. We’re sure it’ll be a completely adorable rendition of the traditional...
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From Up on Poppy Hill, a high school melodrama set right before the 1964 Tokyo Olympics, is somewhat of a departure from the norm for Studio Ghibli. There are no flying pigs, wolf girls or floating cities. Instead, there is young love – and only young love. Umi and Shun (voiced by Sarah Bolger...
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Love You More (NSFW) Dir: Sam Taylor-Wood Runtime: 15m I wrote about Sam Taylor-Wood in my blog this week about Danny Boyle’s needless worry about the future of (British) film, and this is specifically the film I was talking about with her. She turned some heads at Cannes with this one a few years...
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In an interview with Vodkaster last week, Trainspotting and Slumdog Millionaire director Danny Boyle lamented the “family-friendly Pixarification” of the mainstream cinema, foreseeing a future cinema that that features less violence, less sex and less brainpower — films so very unlike the hardnosed British films of his punk rock youth. In the interview, he specifically cites the films...
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Between offending Sarah Palin fans, the start of principal photography on House of Cards Season 2 and the supposed Great Purge of titles that hit this week, Netflix had an interesting week. Sarah Palin is not worth talking about — ever, and we know nothing about House of Cards yet. Streamaggedon, as it was called, is...
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Because, as I'm sure we're all accustomed to by now, there is a post-credits scene.
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Omelette Directed by: Madeline Sharafian Runtime: 2:30 http://maddiesharafian.blogspot.com/ (thanks Laura G. ) After a pretty rough week this is exactly the kind of short film I wanted to run into – charming, heartfelt, funny and, most importantly, short, which is not always the case with short films. Omelette is a personal little tale about a...
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