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White Stillman’s “Damsels in Distress” Trailer: Epic, or Epic Fail?

February 13, 2012
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White Stillman’s “Damsels in Distress” Trailer: Epic, or Epic Fail?

It’s kind of an asshole thing to do, to take a trailer so seriously, but this is kind of an extraordinary circumstance. Whit Stillman, he of Oscar nomination fame for the wonderful Metropolitan, has not released a film since The Last Days of Disco in 1998, despite being almost universally beloved by independent films...
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Sunday Film News Roundup — February 12th, 2012

February 12, 2012
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Sunday Film News Roundup — February 12th, 2012

A bit late this Sunday. I had woot canaw this week and needless to say I’ve been acting like a sick, hurt little baby all week, so I wasn’t as attentive as I usually am when it came to new hounding this week. It’s a bit of a thin link collection, and the best...
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Party? Bar? Sleigh Bells? No way, stay in for a great night on TCM.

February 10, 2012
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Party? Bar? Sleigh Bells? No way, stay in for a great night on TCM.

Seriously, tonight is one of those epics  nights on TCM as they venture on their Bundy vacation to… beautiful Wyoming! Huh? Wyoming? But seriously, it’s great, starting at 6:30 with the Henry Fonda western, The Ox Bow Incident, then at 8 for Steven Speilberg’s crazy-genuis-reason-for-living, Close Encounters of the Third Kind. After that, it’s Kirk...
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A little Spider-man with your coffee?

February 7, 2012
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A little Spider-man with your coffee?

Inexplicably, Sony and Marvel decided to release the new trailer for their summer tentpole picture at 3am east coast time on Tuesday instead of, say, the Super Bowl, or, say, noon Tuesday. Scroll down to view it, but I’ve gotta say that it was worth the wait — at least for me, but I’m...
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Sunday Films News Roundup — February 5th, 2012

February 5, 2012
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Sunday Films News Roundup — February 5th, 2012

So, Ben Gazzara died this week. Stop it. I hate talking about actors and directors and writers that I loved dying. He was probably generally best known for his work with John Cassavettes in films like The Killing of a Chinese Bookie or Otto Preminger’s Anatomy of a Murder with Jimmy Stewart, though people...
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31 Days of Oscar Begins… Yesterday. Whoops.

February 2, 2012
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31 Days of Oscar Begins… Yesterday. Whoops.

It’s time once again for one of my favorite times of the year: 31 Days of Oscar, on Turner Classic Movies. Each year, the cable net ends their programming season with a month full of Oscar winners, from recent films to films from the 20s, Oscar winners all. From now until March 2nd, it’s...
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The Double Feature: New York, New York — It’s a Hell of a Town

February 1, 2012
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The Double Feature: New York, New York — It’s a Hell of a Town

This week’s film’s are Angela Christlieb and Stephen Kijak’s Cinemania and Bennett Miller’s The Cruise. If you’ve ever been to New York City, even if you never ventured out into the City beyond Times Sq, you met some of the wonderful weirdos and oddballs that the City has both given birth to and accepted in...
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Sunday Film News Roundup — Jan 29th, 2012

January 29, 2012
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Sunday Film News Roundup — Jan 29th, 2012

There were two really awful stories in the news this week and neither one of them had anything to do with Extremely Loud and Incredibly Close getting a Best Picture nomination. 1) Bingham Ray died. 2) Theo Angelopoulos died. What the fuck? Bingham Ray’s name might not be as familiar as Angelopoulos’ name, but...
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Why No One Was Really “Robbed” in Oscar Snubs

January 26, 2012
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Why No One Was Really “Robbed” in Oscar Snubs

So, one month from tonight the 84th Academy Awards will take place, and Twitter will light afire with the spurned bleating of people who didn’t like the films that won. It’s already on fire with people who don’t like the nominations. Whether it be the snubs (Albert Brooks, Charlize Theron, Michael Fassbender, etc) or...
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The Double Feature: I Dig Music, Man.

January 25, 2012
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The Double Feature: I Dig Music, Man.

This week’s films are Cameron Crowe’s Untitled (aka Almost Famous: The Bootleg Cut) and Daryl Duke’s Payday. At first glance these films seem to have nothing much in common. One is about a 70s rock band on the fringes of popularity, hoping their one hit single makes them the next Allman Brothers Band, travelling the...
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